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Lunch Money live at Donnell !
Friday Free-for-All # 6
Astrograss, Let Me Stay Up All Night
Brooklyn's purveyors of bluegrass for kids finally release their first full-length CD. Their specialty in concert is putting Shel Silverstein lyrics to bluegrass music, and on this CD, although there are no Shel poems, Astrograss display their influences openly and proudly, including the lyrical playfullness of Silverstein and the wit of John Hartford, grandfather of "newgrass". Great covers of "Drunken Sailor" and Oh! Susanna", along with over a dozen originals. Wonderful fun!
Joe McDermott, Everybody Plays Air Guitar
The fourth kids' CD from Austin, Texas-based McDermott continues his string of pop rock hits for the little ones. Dig the powerpop title track and the doo-wop rewrite of "I've Been Workin' on the Railroad". And this is one busy guy: Along with recording children's tunes, McDermott scores video games and educational DVDs, and often performs his songs live with the Austin Symphony Orchestra. Rock on!
Music in the Garden
***Andy Mason***
Mason hails from Clovis, NM, home of Norman Petty's recording studio where Buddy Holly cut some of his biggest hits. Andy's no stranger to the music biz himself: He and fellow musician Joshua Belter have recorded and toured as acoustic duo Fast Time Constant for about ten years, and Mason jams with Clovis-based roots rockers Fun Brothers Band.
Andy extols the joys of family pizza night on the title track, and follows up with the positive affirmation "You Can Be Anything (If You Try)". Mason's "ZYX..." may not exactly be Moose Charlap's "Backwards Alphabet" from the 1966 TV production of Alice Through the Looking Glass, but it's silly fun just the same. Mason rewrites another well-known ditty with his own "The Birthday Song"; while "The Owee Song" not only presents a picture of an injury prone kid, it provides an entertaining way to practice the days of the week. "How to Make a Burrito" is, well, instructions on how to make a burrito, including the dangers of using too many jalapenos.
Mason closes the album with four choice covers: a fiery version of Richard and Robert Sherman's "I Wanna Be Like You (The Monkey Song)" from Disney's 1967 film The Jungle Book; Claire Senior Burke's "Robin in the Rain"; "Shake My Sillies Out" by Raffi and Bert & Bonnie Simpson (man, I had no idea it took three people to write that song!); and David Mallett's classic "Garden Song" (aka "Inch by Inch").
This is old fashioned children's music in the best possible sense: pare it down to the basics and let the songwriting and arrangements shine through. You can tell from the interactive and singalong nature of his songs that what you have here is a snapshot of Andy's live show. It would be interesting to hear Mason's half-dozen originals performed with a full band, but as it is, six strings and a voice are all he needs to make a great kids' album.
Astrograss live at Donnell !!!
Goodnight Train
In Our Time, my toddler age class, we have been talking about things that go. We've had such fun singing about trains, planes, wagons, and cars. I read this book by June Sobel last week for our story time, and it quickly became a hit! It has bright fun pictures and an engaging story line. It makes a great bed-time story.
Happy Easter!
The greatest gift this Easter is not found in baskets or hidden eggs. It is the gift of God's love and forgiveness through the death and resurrection of Jesus Christ. I hope this Easter finds you full of His grace and washed in His blood!
Romans6:23 For the wages of sin is death, but the gift of God is eternal life in Christ Jesus our Lord.
***Mr. Leebot***
Now, Mr. Leebot's style didn't just spontaneously burst into being. Austin, TX, resident Lee Davila has stirred the musical pot with several spoons: Check out Davila's other projects, including the now-defunct The Grown-Ups, and especially his totally awesome current grownup band Manager's Choice. You can hear Davila's Ska and New Wave influences run throughout all his musical endeavours, including his kids' CD.
The party begins with the latest dance craze "Ants in the Pants", followed by Mr. Leebot's somber theme song, um, "Mr. Leebot". "Brock Brock Chicky" sounds slight at first listen, but it's really about the universal possibilities of communication, despite our differences. And everyone's proud of the day they became a "Bathtub Superstar" and could bathe themselves without Mom or Dad's help.
Then there's "C'mon Sun"'s manic call to play, while children strive for proper behavior in the potential hit single and DEVO homage "Good Bot" (oughta be #1 with a bullet on XM Kids!). The Country & Western rave up "Hot Diggity" is Mr. Leebot's version of "Walkin' On Sunshine", followed by another DEVO-style ditty, "Timeout Time", about trying to stay out of trouble (the coda-in-round is pretty cool!).
The spare (vocals & twangy electric guitar only) "I Want a Car" could be an unearthed outtake from Buddy Holly's catalog, while Mr. Leebot ventures into Ween territory with the droogy reggae of "Dig Up the Roots", which initially seems to be about trees and flowers but is actually about family ties.
The album closes with DEVO tribute number three, "Power Up!" (Davila really has the Mothersbaugh vocal style down pat!); then "Fastest Horse", a Riders in the Sky-like ode to being best buds; and finally "Come On Along", a for-sure Nickelodeon or Noggin program intro.
When it comes down to it, though, these songs are about the kinds of things that are a big part of kids' lives: Imagination, dancing, manners, family, being understood, and just feeling good. His sound might not be for everybody, but the kids who dig it will be rabid fans, for sure.
Y'now, if "Square Pegs" ever gets remade as the next retro sitcom (a la "That 70's Show"), Mr. Leebot should provide the soundtrack. I wouldn't be surprised if you heard his stuff on a Dunkin' Donuts commercial or as a kids' TV theme song. Listen for more good things from this guy in the future.
Friday Free-for-All # 5
Various Artists, Eat Your Vegetables, Please!
As with most compilations, there are stylistically a few hits and misses here. But overall, Peter Farber and his crew over at Wide-Eye Kids have assembled a solid collection of songs about healthy eating, from Dog on Fleas' "Ugly Fruit" (by far the best song on the album) to the Zucchini Brothers' Phish-like "You Are What You Eat", from the Memphis funk of Bill Shontz' "Eat It Up" to Jay Mankita's rockabilly tune "Strong Bones". Perfect, actually, for the Elementary School classroom or Media Center.
Brady Rymer, Here Comes Brady Rymer and the Little Band That Could
Even though "rock and roll" is mentioned several times during the CD, this is first-rate Contemporary Country! I mean, some of these songs could be sitting on the Billboard Country Charts, especially "Road Trip" and "One True You". This Jersey boy knows how to write a great tune, and his band delivers a crack performance, as well. A true "Family" album, as all of the songs are about relationships and experiences with parents, siblings, and friends, even the Guthrie and Seeger covers. Top notch!
Randy Kaplan, Loquat Roof
Another masterpiece from the East Coast's version of Mr. David ... Randy Kaplan is the current king of the storysong, and his magic is best witnessed live. If you can't make it to Brooklyn, though, check out "Clothes Dryer", "No Nothing", "The Ladybug Without Spots", or the title track for examples of Kaplan's laid-back, semi-acoustic musical storytelling, the closest thing to Arlo Guthrie yer kids will ever hear. Awesome covers of Leadbelly, the Coasters, Hank Williams, and a song from Annie round things out. Great example of grownup music for kids, kids' music for grownups.
How To Hire A Children's Musician
1) Ask friends, coworkers, venues and other musicians for recommendations.
2) Visit the musician's website.
a) Listen to sound clips and/or videos on the website, if available.
b) Read reviews.
c) View program offerings.
d) Review performance history.
e) Check for awards.
f) View the musician's calendar for availablity and a list of venues who have already hired the musician.
3) A musician's website should give you all the information you need to make a hiring decision. If not, you can ask for a promotional packet and demo audio or video.
4) Attend a concert by the musician.
5) Contact the musician via email or phone, or both.
To make the hiring process easy, here are some things musicians will need to know when you contact them. This information will help them determine an accurate fee for your event.
1) The date of the event.
2) The time of the event.
3) The budget for the event. Remember, when hiring a musician, the performance fee may also include mileage, per diem, lodging and airfare.
4) The location of the event; actual address, the actual space or room the performance will take place in, and if the event is indoors or outdoors.
5) The size of the audience.
6) The age of the audience.
7) If a professional sound system is provided or if the musician needs to provide their own equipment.
8) Your contact information including name, organization name, address, phone, fax, cell phone, email and website (if any).
9) Theme of the event, if any. Many children's musicians have various programs to offer and can often tailor their performance to suit your theme.
10) Map or directions to the event.
Once you have booked the musician, here is what you should expect to receive from them to confirm the event:
1) Booking Confirmation letter and/or contract.
2) Invoice.
3) W9 Form for taxes
4) Publicity pieces (photos, flyers, press release, etc.). Some of these promotional pieces may be downloadable from the musician's website already.
I hope this information is useful to help you and the musician you hire have a pleasant booking experience so that the performance for your venue can be outstanding!
- Johnette Downing
"Jazz is democracy that we hear."
Trumpeter to Help New Orleans Libraries
Tuesday, March 18, 2008 2:47:45 PM
By STACEY PLAISANCE
Jazz trumpeter Irvin Mayfield has traveled the world playing for audiences in smoky bars and buttoned-up concert halls, and he knows the sounds, tastes and sights of this city are unlike those anywhere else. So, he says, the city's library system should be just as unique.
In a $650 million plan unveiled by Mayfield and New Orleans Public Library officials Tuesday, a library system that reflects the city's identity will be built over the next 25 years. Plans include a jazz-themed branch housing early recordings and reviews. "We don't just want to have a library system," said Mayfield. "We want it to be us. We want it to be our style, our identity."
Other branches planned for the next five to 10 years, he said, include a culinary branch based on the city's unique cuisine, and an architecture branch that pays homage to the city's woodworkers and ironworkers. The plan will be spread over more than two decades but will begin in the next two years with the construction of the jazz branch, which will cost about $10 million, $2 million of which will come from the Bush-Clinton Katrina Fund, Mayfield said. The rest of the money will come from private donations and fundraisers, as well as storm recovery money from the Louisiana Recovery Authority, the Federal Emergency
Management Agency, the city and the state, he said.
When Katrina struck in August 2005, nine of the library system's 13 branches were damaged. Although all branches are again in operation, some are in portable trailers or makeshift branches set up in temporary venues. Mayfield, chairman of the board of the New Orleans Public Library System, said jazz libraries and music aren't all that different. "A library is democracy inside four walls, the freedom to information," he said. "Jazz is democracy we hear."
Mayfield says music continues to help him deal with the loss of his father, Irvin Mayfield Sr., who drowned during Katrina, and has kept him positive through an exhaustingly slow recovery for the city. On April 1, he will release an album that he started recording with jazz pianist Ellis Marsalis and the New Orleans Jazz Orchestra before Katrina struck, flooding out the Basin Street Records recording studio. The opening track is titled "Yesterday." "Going through Hurricane Katrina teaches you something about yesterday," he said. "Every moment becomes yesterday."
Still, Mayfield said it's important to look at what has gone right since the storm. For one, at almost any school in the city -- no matter how dilapidated -- the students are playing music, he said. He says music is still in every part of the city, from the clubs, to the streets to the universities, and there's no reason why it shouldn't be part of the city's library system.
"A library is the only place that brings everybody together," he said. "An immigrant can go there. Homeless people can go there. Anyone from any age can go there and they can all receive what they're looking for."
Welcome!
Babes N' Bows
The Universal Power of Music
A Factory-tested Masterpiece
Every evening we play the same CD, Jason Falkner's Bedtime with the Beatles, during Steamboat's bathtime/bedtime routine. That means he's heard it about 578 times, not counting the occasional nap or playtime accompaniment.
In raising our Masterpiece, my wife and I try to expose him to the best of the best, including music. If you haven't already, check out Falkner's masterpiece and pass it on to a friend. It comes highly recommended by Steamboat.
Friday Free-for-All # 4
Exactly what the title says: Several fairy tales in song form, along with a bunch of singalongable kiddie pop tunes. Very strong Sesame Street feel, and that's a good thing! Debbie Cavalier, Dean of Continuing Education at the Berklee College of Music, uses Carpenters-like vocals and a silly sense of humor to make an entertaining album for preschoolers and early elementary kids.
Gentle, well-produced collection of lullabyes and other quiet tunes for bedtime. The Klosners perform originals, traditional tunes, and songs originally made famous by The Monkees, The Carpenters, John Denver, Bing Crosby, and others. This 2-CD set includes instrumental versions of every song, giving you extended chilldown time at the end of the day.
***Gunnar Madsen***
Gunnar Madsen is a seasoned songwriting veteran, with several grownup CDs and kids' albums under his belt. He founded the a cappella group The Bobs in the early '80s (thus the abundance of voices and vocal percussion on I'm Growing), and has written music for theater, film, television, and video games. He also wrote the score for the musical The Shaggs: Philosophy of the World, and produced the documentary Svetlana Village. And all of this experience informs the work on I'm Growing.
Man, where to begin with the highlights: The explosion of vocals on the title track, the Harry Nilsson dead ringer "Walkin' Back to Texas", the Todd Rundgren-like "Simple", or the 7/8 time better-than-anything-on-the-Lion-King-soundtrack "Sun Comes Up". "I Feel a Waltz Coming On" is the best anti-waltz waltz you'll ever hear; and "Raise Your Voices", well, could be a Polyphonic Spree song, could be a tune from Godspell ... at any rate, it's a rousing hymn to the power of love.
And then there's the ridiculous but amazing "Mozart's at the Window", Madsen's lyrical take on Mozart's 40th symphony; the witty words of "Pumpkin Hair" and "Library Party"; the kitty chorus of "There's a Bowl of Milk in the Moonlight" (pair that one with Kevin Henkes' Kitten's First Full Moon); and Madsen's almost mantra-like version of "Shenandoah".
To fully appreciate and comprehend the music on I'm Growing you should read Gunnar's bio and the album's liner notes ... the songs will make that much more sense. It wouldn't matter to a kid, of course, as this is simply a solid collection of great songs, but it's incredibly interesting to see how the course of Madsen's life affected the development of these particular tunes: Madsen didn't simply make up and throw together a bunch of songs just to have a kids' album on the market. You'd find out, for example, that "Raise Your Voices" and "I Feel a Waltz Coming On" are from a musical-in-progress; that "Cutest Little Guy" is Madsen's homage to the songwriting styles of Sammy Cahn and Roger Miller; and that Madsen is replying to Otis Redding's "(Sittin' on) the Dock of the Bay" with "Walkin' Back to Texas".
Brilliant arrangements and performances. Period. And funny! And fun! And entertaining for everyone in the family! What more could a kid and his grownups want?
Viva Presley!!!
Two disclaimers: Crank it up **LOUD** and watch out for the cussin'!
***Funky Kidz***
New Orleans mom Lauren Busch Singer decided to liven up the world of children's music by assembling a bunch of NOLA bands and performers and having them put their personal touches on some kids' classics ... y'know, give those ol' familiar tunes a kick in the pants. So c'mon, ride the ridiculously stanky groove of "Zip A Dee Doo Dah" with Ivan Neville's Dumpstaphunk, git took to church with Meters' bassist George Porter Jr.'s version of "He's Got the Whole World In His Hands", and feel the swamp creep up yer ankles with The Radiators' "Froggy Went A Courtin'".
Bonerama turn in a great version of Randy Newman's Toy Story classic "You've Got a Friend In Me", and Johnny Sketch and the Dirty Notes' rendition of Dumbo's "When I See an Elephant Fly" outstrips the original while staying pretty faithful to the animated tune. Amanda Shaw & the Cute Guys' cover of "Garden Song" is more country Cajun spice than Crescent City soul, while the most low-key performances happen to be from The Wizard of Oz, as ex-Cowboy Mouth Paul Sanchez teams up with trumpet and guitar for a coffeehouse version of "If I Only Had a Brain" and Theresa Andersson croons "Somewhere Over the Rainbow".
This is a tight group of musicians, not only musically but on a friendship level, as well. You can tell by browsing their websites and myspace pages that most of them know each other, often performing on the same bill, and their camaraderie and their New Orleans pride shine through on every track. Buy several copies for your family, friends, and local libraries!
Friday Free-for-All # 3
Great pop songs, actually, sung in Bari's Rickie Lee Jones-like voice. My only suggestion would be to trim each song by at least half. Standouts include "Nothing I Wouldn't Do", "A Day at the Beach", and "Jump", all sonically inspired by Natalie Merchant, Jewel, and Sheryl Crow.
Johnette Downing, Dixieland Jazz for Children
An innocuous introduction to Dixieland music. Johnette keeps the lyrics as simple as possible, and gets musical help from veteran Jimmy LaRocca. Make sure to follow up Ms. Downing's album with CDs like this.
Various Artists, Funky Kidz
I generally steer clear of any children's CD that uses "z"s at the ends of words, but trust me, this one's a winner. A bunch of NOLA bands got together and funked the crap out of three old-school Disney songs, two tunes from The Wizard of Oz, a Beatles song, and a couple of public domain songs. A must-have!
Children . . . beyond compare
In Kindermusik "Our Time" over the past few weeks, the eighteen-month to three-year-olds have been doing the "Tommy Thumbs" finger-play exercise, where the kids play with their thumbs, pointer fingers and pinkies on their heads, shoulders, and knees. And as I have watched the kids play an old nemesis has re-visited me: comparing my child's development to others'. Christa, at twenty-months old, is still having difficulty holding up her thumbs, pointer fingers and pinkies. But many of the other kids in the class can do it.
And so I hear my brain reciting the questions that, with my first daughter, became the bane of my existence: Should my child be doing that? Why isn't my child doing that? Is everyone else's kid doing that? Should I be worried?
I quickly stem these insane and inane questions by asking the parent of the other child how old they are. When I hear, "two" or "a few months past two" or even "twenty-three months" I sigh with relief. Nothing to worry about there, then, because between the ages of zero and three, a month or two makes a BIG difference.
Last month my child was barely saying a few words. Now her vocabulary grows by three to five words a day, maybe a week. Last month she didn't know where her shoulders or knees were. "Tommy Thumbs" has taken care of that. I know, in my mind and heart, that she is developing just fine for her age. Heck, she's already starting to jump, and my other daughter didn't do that . . .
Oops. There I go again. Comparing--this time measuring my youngest kid against the timeline of my oldest kid. Why do I persist with this? Why can't I stop?
I guess it's a natural impulse to compare things, and maybe also people, to one another. And to a certain extent it's a good thing to do, right? I mean, if we didn't compare our kids to other kids, we may not know enough to ask our pediatrician if there is a real problem. Putting our children in context, learning what a one-year-old should be able to do, then what an eighteen-month-old should be able to do, then what a two-year-old should be able to do, can help us diagnose a developmental delay early. So comparing our kids to one another can have a positive aspect.
Until it starts to make us competitive. I cannot tell you how many moms I know who refuse to go to play classes around town because they can't stand the way other moms (and dads) try to out-do each other by bragging about whose kid can recite the alphabet/sing "Twinkle Twinkle Little Star"/count to twenty/insert some other toddler achievement here. Granted, one thing I find most refreshing about Kindermusik classes is that I haven't met many competitive parents there. Most of the conversation about child-development is a genuine discussion of a child's abilities. Maybe it's because Aimee talks a lot about different stages of childhood development; maybe it's because the Kindermusik curriculum really focuses on teaching parents about those stages; maybe it's because like attracts like, and Aimee just draws in collegial, friendly, easy-going people who prefer talking to bragging.
All I know is that comparing children to one another, while it has some positive aspects, can get insidious and mean-spirited if done in excess. Every child is a special, beautiful and unique person and I have to focus less on comparing them and more on praising them for their individual talents and accomplishments. They will each achieve their milestones and their goals in their time.
So, every time I find my brain straying to that place where it seeks to compare my children to others' kids, or even to each other--or, worse of all, to myself or my husband at their age--I try to remember these wise words from "On Children" by Khalil Gibran, poet and writer of The Prophet:
"Your children are not your children.
They are the sons and daughters of Life's longing for itself.
They come through you but not from you,
And though they are with you yet they belong not to you.
You may give them your love but not your thoughts
For they have their own thoughts. . . .
You may strive to be like them,
but seek not to make them like you.
For life goes not backward nor tarries with yesterday.
You are the bows from which your children
as living arrows are sent forth."
And so I resolve to send my children forth to become who they will become--amazing human beings who are truly beyond compare.
a greener diaper
DIY PR
More on Andy's CD soon ...