Children's Music

Did you know that many children's performers offer educator workshops? Well, they do! Many of the artists listed on this Blog are not only performers, but experts in the field of music education. Do you need an in-service, on-site training, workshop or a keynote at an educator conference? Look no further. Children's performers are often bilingual in entertainment and education!

Take this, brother, may it serve you well...

In celebration of this Number 9 Day, check out the Top 10 Beatles Lullaby Albums, as well as the Best Beatles Sing-Alongs from their newly-refurbished catalog.

Today's Agenda

Here we are at the start of another school year and Kindermusik semester. As we are all scrambling to get back to our school routine, I was reminded of just how important that routine is for us. In the Kindermusik classroom, you and your child will find a routine to the activities.

It gives us an understanding of what needs to be accomplished for the day.

It helps us to know what to expect next.

It keeps me organized, so I don't get stressed out.

I have greater security that things will get done on time.

If a routine is important for us in these ways, think how important it is for your children. The life of a child is often outside of their control. For example, they are told the proper things to eat, when to get a bath, and what clothes are appropriate for certain outings. Having a routine will help your child to feel more secure, by letting them know what to expect and when to expect it. In the Kindermusik classroom, we practice this same principle. Perhaps you'll notice that rocking time is always followed by story time, or a "clean up" song is always used when an music activity is over. You can incorporate these same types of routines into your own daily life at home. Maybe you use a favorite song to move from one activity to the next, or you might always follow bath time with a soothing massage and story before your child goes to bed. If your current routine isn't working for you, consider making some changes. You can visit a Kindermusik class for lots a great ideas. We'll be learning lots of songs this semester that would fit into a variety of routines and situations. Remember that a routine helps the whole family to be healthy and happy! I hope you'll share some of your favorite ideas as a comment below!

Happy Labor Day!

Since this holiday was originated by America's labor movement in the late 1800's, let's commemorate the date with a review of Ella Jenkins and a Union of Friends Pulling Together. This 1999 Smithsonian Folkways album, nominated for the 2000 GRAMMY Award for Best Musical Album for Children, is one of the best, if not only, true "concept albums" for kids.

Jenkins skillfully weaves songs, spoken word pieces, and call and response tunes about labor unions into an overall theme of togetherness, including songs about family, friends, and our nation. Kids will recognize favorites like "The More We Work Together," "If I Had a Hammer," and "Skip to My Lou," while historically significant songs like "Solidarity Forever," "Which Side Are You On?" and the powerful "Keep Your Hands on the Plow" are great discussion starters for families and schools. And compare this album's version of the Populist song "The Farmer is the Man" with the more rockin' version on Dog On Fleas' Cranberry Sauce Flotilla.

Check out this great collection of historical singalongs, perfect for both the classroom and the living room.

Phil Rosenthal

Phil Rosenthal, along with wife Beth, daughter Naomi, and son Daniel, created a great collection of old-time music, classic folk songs, traditional tunes, songwriter favorites, and Rosenthal originals for his 1995 album, The Green Grass Grew All Around. The project was produced and engineered expertly by Rosenthal, giving the songs a warm and inviting sound, neither overdone nor underdone.

Rosenthal takes care of most of the instrumentation himself, with a little help from his family. Also pitching in musically are Kate O’Brien on violin, Stacey Phillips on dobro, Walter Wakeman on harmonica, and Jeff and Synia McQuillan on percussion and harmony vocals.

On The Green Grass Grew All Around, Rosenthal performs traditional tunes like the story song “Frog Went A-Courtin’,” the call-and-response “What’ll I Do with the Baby-O?” the swaying shanty “My Bonnie Lies Over the Ocean,” and the nursery rhyme-like “I Had a Little Nut Tree.” On the original LP, Side 1 came to a rousing end with the cumulative folk favorite “The Green Grass Grew All Around,” and Side 2 finished up with the equally upbeat “Hey Lolly.”

Other highlights include Woody Guthrie’s nonsense song “Jig Along Home,” a simple banjo/vocals version of Stephen Foster’s “Oh! Susanna,” and Lydia Maria Child’s Thanksgiving classic “Over the River and Through the Wood.” Rosenthal also performed several original songs like “Neighbors,” a throwback to the call-to-unity vibe of the ‘70s; the cheerful “Sleepy Eyes,” which encourages the listener to wake up and see what the new day will bring; and the warm and cozy “The Train Song.”

Fans of Dan Zanes, The Dreyer Family Band, or folk songs in general will really dig this easy-to-sing-along-with classic from Phil Rosenthal and Family, originally released on, and still available from, Rosenthal's own American Melody Records label.

Drum Practice

All right, guys. Start off with "Black Dog," then "Rock and Roll," and finish up with "Misty Mountain Hop."

Laura Doherty

Dig this new CD from Laura Doherty, the Early Childhood Music Program Director at Chicago's famed Old Town School of Folk Music. Kids in the City is full of breezy urban folk tunes featuring the Natalie Merchant-like vibe of Doherty's vocals. She had musical help from Scott Besaw on drums, Amalie Smith on upright bass, Rob Newhouse on lead guitar, Susan Marques on banjo, Barb Burlingame on trumpet, Skip Landt on harmonica, and Rick Rankin on percussion and melodica, who also produced, recorded, and mixed Kids in the City.

Doherty's album is a musical tribute of sorts to The Windy City: elevators and escalators, the zoo, public transportation, the farmer’s market, traffic, and hot dog stands all get a shout out on Kids in the City. "I Spy" references Lake Michigan and taxis, "Hot Dog" celebrates sport peppers and celery salt, the a cappella "Wheels in the City" catalogs things that roll around big city sidewalks, and "El Train" is a self-explanatory tune about Chicago's famous clickety clackin' mode of transportation.

Kids in the City is full of the sights and sounds of preschoolers' lives: "I Spy" explores the colors all around us, "Farmer's Market," with its simple vocals and banjo arrangement, has fun with names of fruits and vegetables, while "Rockin' at the Zoo" catalogs the animals you might see and hear there. And check out the wonderful melodies of "Hello Hippopotamus," "I Spy," and "Kitty Cat" (which is vaguely reminiscent of The Chordettes' "Lollipop").

Doherty's album contains a couple of future kids' classics, too. "Uncle Ukulele's Band" has instruments represent members of the family, and sounds as if it could have been featured on The Muppet Show, while the very Ella Jenkins-like “Wheels in the City” is a call-and-response, a cappella tune, with overlapping melodies and vocal lines.

And Kids in the City includes two covers I’ve never heard on a children’s album before: a quiet and tender rendition of Burt Bacharach and Hal David’s “Raindrops Keep Fallin’ On My Head,” and a chooglin’ version of Robert Johnson’s “Sweet Home Chicago."

Laura Doherty's Kids in the City is a great example of modern urban folk. Now I gotta go get a Chicago dog and a chocolate malt.