Internet Safety

Last Monday night, we had a Mom's night out that focused on safety issues for families. A deputy from the Hillsborough County Sheriff's Office came and shared some great tips and resources with us. One of them is the NetSmartz website. There are resources here for children, teens, as well as adults that teach internet and technology-related safety items. With children learning to use the internet at younger and younger ages, it is never too early to familiarize yourself with online safety.

***John Carlin & the Kids' Music Underground***

A few years ago, Brooklyn's John Carlin started his own program of interactive music classes for kids, and called it "The Kids' Music Underground." About the same time, he released his first CD for kids, First Time for Everything, a one-man project of covers and originals. This January, Carlin and his band released Welcome to the Kids' Music Underground!, an album that's more in keeping with his personal worldview and musical ideals exemplified by his programs for children.

Carlin and band roll through some rootsy rock on "Meet You at the Playground," "A Dinosaur Named Fred," "Air Guitar," and the title track, while world music and the blues are featured on "Jambalaya Road" and "Big Bed Now." Carlin includes a full-band remake of "Eliza" from First Time, sounding that much better with vocal harmonies and additional instruments added to the mix.

The activity songs "I'm Flyin'" and "Tag Song" are perfect for live concerts, while the band sound a bit like Wet Willie on the mostly-vocals tune "Everybody's Rollin'." But I gotta admit, I like the the slower songs on Welcome better, with exceptional tunes like "Extraordinary Day," "One Family," "My Front Door," and "Goodbye Song" sounding like they could be included on a new version of Sesame Street.

Kids' music nowadays is a kind of underground movement, as bands and performers like John Carlin make albums that are flying under the mainstream radar. Support your local children's music scene and get kid rockers like Carlin, and his album Welcome to the Kids' Music Underground!, on the radar.

***Joe West***

Santa Fe, NM-based singer, songwriter, performance artist, and all-around musical experimentationalist Joe West just dropped his first CD for children, If the World was Upside Down, an album of classic country Americana flavored with a smidgen of southwestern spice. West is a highly-respected figure in the Santa Fe / Albuquerque music world, having released several CDs on the Frogville Records label.

If the World was Upside Down kicks off with the title tune, a philosophical, Johnny Paycheck-like bar room singalong, followed by the jaunty, loving tribute to "My Grandma," who has her quirks but is still our favorite person in the world. Then comes West's accordion/mandolin cover/remake of Michelle Shocked's "The Ballad of Patch Eye and Meg," from her 1986 album The Texas Campfire Tapes.

"Dump Trucks and Tractors" is a full-on hardcore honky tonk hit that oughta be blasting out of every juke box in west Texas, and the band is given a chance to stretch out instrumentally on the tune. Sounding very much like Willie Nelson, West turns in a beautiful old west song, "On the Banks of the Rio Grande," a tune destined to become a new classic (and dig the dobro solo). And the sunny "Anita Pita" tells the story of a single mom supporting herself and her teenage daughter by vacuuming art galleries.

"Veronica Rose the Flying Unicorn" is a swaying love ballad, while the gorgeous "Robots of Rayleen" tells the story of dance floor-lovin' automatons who adore the band because they have a smoke machine. And West's semi-instrumental cantina rocker "Don't Forget to Brush Your Teeth" is kinda his version of "Tequila." The album ends with the melancholy epic "Homemade Rocket to the Moon" and an instrumental version of "Patch Eye" called, appropriately, "The End."

The coolest thing about this project is that it's a real band playing real music, not some goofy grownups twiddlin' through some kiddie tune cast-offs: West's band of crack musicians from the Santa Fe area don't hold back on their performances one single bit. This stuff is intelligent, funny, and musically right on. Awesome Americana for the whole family.

***Shāna Barry***

Somewhere between Kimya Dawson's wordy stream-of-consciousness songs and Nick Drake's whispery dream fever tunes lies Shāna Barry's first album for kids, A Pink Whale and a Very Tall Tree.

The Frances England-sounding eight-song EP contains a group of very visual songs: close your eyes and let the lyrics tell you stories about the special secret island of fōf, described in great detail on "Around the Island" and "The Great Mystery;" and about the adventures of a curious fōfer named Otamo who encounters and befriends "The Pink Whale" named Guinivere and climbs a very tall tree to "Cloudland."

Like any normal kid, Otamo loves to talk about "The Day I Learned to Ride My Bike," but then gets philosophical with "Some are Green," an ode to diversity and acceptance. The short album is rounded off with a lullaby and an instrumental. Barry performs the songs with just her voice and guitar, and an occasional ukulele. The stark musical background is a perfect palate for lines like "I hop from rock to rock and peer into tide pools," and "The rogue wave passed us by," and "Who wants a humdrum earth when it can be vibrant and grand," and words like chicory, anemones, cumulonimbus, and centripetal.

A beautiful, quiet, mysterious album that honors kids by challenging their perceptions and vocabularies. Kudos to Shāna Barry.

Four White Horses

We have been singing a silly song in our Kindermusik Village class called, Four White Horses. There has been some interesting discussion behind the meaning of the words. I found the following posted by a fellow Kindermusik educator and thought I would share it here.

At University our early childhood music professor discussed this song withus. I remember it only because the lyrics seemed so impossible to decipherat the time!

In college, here were the words we were singing (a regional variation Isuppose)
“Four white horses, on the river.Hey, hey, hey up tomorrow.Up tomorrow is a rainy day.Come on and join our shadow play.Shadow play is a ripe banana.Up tomorrow is a rainy day.”

However, our professor shared the following with us as the more traditional Caribbean words.
Basically, she deciphered it as this to us…

Four white horses, down the river(as in four white horses traveling down the river on a barge or something)

Hey, hey, hey, up tomorrow(as in Hey, come back up!)
Up tomorrow is a rainy day(Come up! Tomorrow is going to be a rainy day!)
Come on up to the shallow bay(self evident. Come up river to where it’s safe)
Shallow bay is a ripe banana(ripe banana as in, nothing is better than a ripe banana! In other words,life is good in shallow bay!)
Up tomorrow is a rainy day(come up river to where it’s safe)

The power of an apology

Let's face it. Sometime you just blow it, as a parent. I know I have. You have those days when everything goes wrong and you just lose you patience. You speak sharper than you meant to. Or maybe it's a moment where you are just too busy and don't stop to truly listen to what your child is saying to you. I honestly believe that when we "blow it", it can still be turned into a wonderful learning experience for everyone involved if handled correctly.

What's the biggest thing I've learned in those moments? Don't be afraid to admit your mistake and say your sorry. I won't say that it's easy. After all, we're the parent! It's hard to humble yourself from that position, but there is something so powerful about saying that to your child. It not only teaches them that even parents make mistakes, but it also leads them by example that it's good to say "I'm sorry." It opens up the lines of communication again. Talk about what happened and what could have been done differently. So instead of feeling guilty the next next time you blow it, look at it as a learning opportunity for both you and your child.

***Here We Go***

How often does one get to write a music review in which the band name, the album title, and the lead song are all the same? The debut kids' record by Here We Go is called Here We Go, and the first song on the CD is, yep, you guessed it, "Here We Go." That sort of cheekiness informs Here We Go's music: carefree and sunny, but with a wink-yer-eye awareness.

Here We Go is basically Mississippi-based Australian expat Phil Ulrich doin' it all. His production skills are part of what makes Here We Go so listenable: subtle drum machine tracks are smoothly mixed with the sounds of a pedal steel guitar or, say, a ukulele. In fact, the project sounds like a cross between Jason Kleinberg's kids' band, me 3, and Beck.

Highlights of Here We Go's Here We Go include "All Hungry Babies," a hand-wavin' shout-out to tiny tots everywhere; the DEVO beats and 8-bit bleeps of "One to Eight," a tune that would feel right at home on an episode of Yo Gabba Gabba; the slippery bass, wiggly slide guitar, and dusty drum loop of "Down Home," a Beck-like tune about a homesick chicken; and lines like this from "Baby Food:" 'You may say that it's very, very strange / But there's a little sign that hangs inside the corner of my brain / It says, "Don't make your body do more than it can do." / Baby food is good because you do not have to chew.'

Danceable kids' music from the Deep South via the Southern Hemisphere. Dig it.

Happy St. Patrick's Day!

Celebrate the holiday with Irish music for kids! I've compiled a list of some of the best traditional children's tunes from Ireland over at About.com, so give 'em a listen and have the whole family sing along. Here are the best albums of Irish music for kids.